Old Is Gold: The Timeless Tale of Sina Makosa

In the golden era of the 1970s and 80s, Zambians reveled in the soulful rhythms of East African Rhumba, a genre that painted vibrant soundscapes of love and life. Artists like Nashel Pitchen Kazembe and Peter Tsotsi Juma mesmerized audiences, crafting a legacy that would echo for decades. Yet, as the winds of change blew in Zairean Kwasa Kwasa and Ndombolo, the soulful East African melodies faced a daunting rival, nearly vanishing in the wake of this electrifying new sound. Amid this musical evolution, taverns in Zambia’s council compounds brimmed with life, their juke boxes spinning vinyl records that brought joy to patrons sipping chibuku beer. One of the gems that enchanted listeners was the now-legendary Sina Makosa by Orchestra Les Wanyika.

A song of poetic simplicity yet profound emotional depth, Sina Makosa—which translates to I’m Not Wrong—narrates a real-life incident of love, conflict, and reconciliation. The late Professor Omar Shaban, a founding member of Les Wanyika, immortalized a barroom altercation over a woman in his lyrics. The tension, sparked by misplaced jealousy, birthed the iconic line: “Yule si wako, naye si wangu, chuki ya nini kati yangu mimi na weyo”—“She is not yours, and she’s not mine; why the hatred between us?” The candid honesty of these words resonated across borders, making the track one of the most reinterpreted songs in African music history.

The cultural significance of Sina Makosa lies not just in its infectious rhythm but in its ability to address universal themes of love, rivalry, and forgiveness. Its enduring appeal is a testament to the mastery of Les Wanyika, who bridged the gap between musical excellence and relatable storytelling. Through each rendition, whether by bootleg artists or contemporary musicians, the song’s heartbeat remains untouched, a reminder that certain classics transcend time and genre. It has become a cherished anthem for generations, proving that old truly is gold.

As we reflect on the legacy of Sina Makosa, we are reminded of the timelessness of East African Rhumba and the indelible mark it left on the hearts of Zambians. It serves as a nostalgic beacon from an era when music was a unifying force, bringing communities together in song and dance. With its unforgettable melody and heartfelt lyrics, Sina Makosa stands as a cultural jewel—one that continues to inspire, reminding us that while trends may shift, the essence of true artistry remains eternal.

Author

  • Nganda Henry Kizito

    Nganda Henry Kizito is a dynamic professional with interests spanning computer science, journalism, and legal studies. Skilled in software development and database systems, he combines technical expertise in Java programming with a passion for storytelling and legal analysis, exploring the intersection of technology, media, and law. A dedicated supporter of FC Barcelona, Henry draws inspiration from the team’s spirit of innovation and excellence. Through leadership, mentorship, and community engagement, he strives to empower others and make a meaningful impact in both his professional and personal pursuits.

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